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    <loc>https://www.alexandralord.com/kipp-harbor-times</loc>
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    <lastmod>2025-07-08</lastmod>
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      <image:title>Create Your Own Clown - Workshop Designer and Facilitator</image:title>
      <image:caption>Participants of all ages create their own clown character and costume with repurposed material donated by Toronto-based theatre and dance companies. This Theatre Engaging Communities Project was made possible by funding provided by the National Theatre School of Canada and was a product of a Curriculum Development Internship with Alison Parker at RicRACK Inc.; A costuming and arts education nonprofit serving the youth of New Orleans. The workshop was further supported by Soulpepper Theatre Company and produced as part of their Winter Waves Family Festival, 2016.</image:caption>
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      <image:title>Create Your Own Clown - Workshop Designer and Facilitator</image:title>
      <image:caption>Participants of all ages create their own clown character and costume with repurposed material donated by Toronto-based theatre and dance companies. This Theatre Engaging Communities Project was made possible by funding provided by the National Theatre School of Canada and was a product of a Curriculum Development Internship with Alison Parker at RicRACK Inc.; A costuming and arts education nonprofit serving the youth of New Orleans. The workshop was further supported by Soulpepper Theatre Company and produced as part of their Winter Waves Family Festival, 2016.</image:caption>
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      <image:title>Create Your Own Clown</image:title>
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      <image:title>Create Your Own Clown</image:title>
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      <image:title>Create Your Own Clown</image:title>
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      <image:title>Create Your Own Clown</image:title>
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      <image:title>Create Your Own Clown</image:title>
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      <image:title>Create Your Own Clown</image:title>
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  <url>
    <loc>https://www.alexandralord.com/morale</loc>
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    <lastmod>2025-07-09</lastmod>
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      <image:title>National Theatre School of Canada Open House 2015</image:title>
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      <image:title>National Theatre School of Canada Open House 2015</image:title>
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      <image:title>National Theatre School of Canada Open House 2015</image:title>
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      <image:title>National Theatre School of Canada Open House 2015</image:title>
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      <image:title>National Theatre School of Canada Open House 2015 - Event Designer</image:title>
      <image:caption>Since 1960, the National Theatre School of Canada (NTS) has been recognized as a leading institution for anyone wishing to pursue a career as a playwright, director, actor, set and costume designer, or production professional. The NTS is unique: it offers high-level training programs in all aspects of the theatre arts, in both French and English. Many of its 2,000 graduates are among the country’s most active and versatile artists and designers. The school opens its doors to the public as part of les Journées de la culture every year, event managed by Audrey Blouin and designed by Alexandra Lord in 2015.</image:caption>
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      <image:title>National Theatre School of Canada Open House 2015 - Event and Activation Designer</image:title>
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      <image:title>National Theatre School of Canada Open House 2015</image:title>
      <image:caption>Since 1960, the National Theatre School of Canada (NTS) has been recognized as a leading institution for anyone wishing to pursue a career as a playwright, director, actor, set and costume designer, or production professional. The NTS is unique: it offers high-level training programs in all aspects of the theatre arts, in both French and English. Many of its 2,000 graduates are among the country’s most active and versatile artists and designers. The school opens its doors to the public as part of les Journées de la culture every year, event managed by Audrey Blouin and designed by Alexandra Lord in 2015.</image:caption>
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      <image:title>National Theatre School of Canada Open House 2015</image:title>
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      <image:title>National Theatre School of Canada Open House 2015 - Material Repurposing</image:title>
      <image:caption>Material Repurposing</image:caption>
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      <image:title>National Theatre School of Canada Open House 2015</image:title>
      <image:caption>Flagging tape that was used in the original event design was repurposed in a community weaving event hosted by La Société Textile in Parc Laurier, 2016.</image:caption>
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  <url>
    <loc>https://www.alexandralord.com/national-theatre-school-of-canada</loc>
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    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
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      <image:title>National Theatre School of Canada - Set and Costume Design Class of 2015</image:title>
      <image:caption>The Scenography program trains costume and set designers with the skills to work not only in theatre, but also dance, opera, or the circus arts. In this bilingual program, students from across Canada collaborate on productions staged by both the English and French sections of NTS. As a result, they experience a wide range of theatrical practices and leave the School as professionals who offer invaluable artistic versatility.</image:caption>
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      <image:title>National Theatre School of Canada - Set and Costume Design Class of 2015</image:title>
      <image:caption>The Scenography program trains costume and set designers with the skills to work not only in theatre, but also dance, opera, or the circus arts. In this bilingual program, students from across Canada collaborate on productions staged by both the English and French sections of NTS. As a result, they experience a wide range of theatrical practices and leave the School as professionals who offer invaluable artistic versatility.</image:caption>
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      <image:title>National Theatre School of Canada - Sceonography Class of 2015</image:title>
      <image:caption>The Scenography program trains costume and set designers with the skills to work not only in theatre, but also dance, opera, or the circus arts. In this bilingual program, students from across Canada collaborate on productions staged by both the English and French sections of NTS. As a result, they experience a wide range of theatrical practices and leave the School as professionals who offer invaluable artistic versatility.</image:caption>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada - Waiting for Godot</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada - Quay West</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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      <image:title>National Theatre School of Canada</image:title>
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  </url>
  <url>
    <loc>https://www.alexandralord.com/ma-raineys-black-bottom</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
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      <image:title>Ma Rainey's Black Bottom - Costume Designer</image:title>
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      <image:title>Ma Rainey's Black Bottom - Costume Designer</image:title>
      <image:caption>Chicago in the 1920s is a city on a collision course with change, and the Blues are the battleground. In August Wilson’s masterpiece a routine music recording session becomes the front line for issues of race, power, and opportunity. Starring Lovell Adams-Gray as Levee; Derek Boyes as Policeman; Alana Bridgewater as Ma Rainey; Neville Edwards as Slow Drag; Beau Dixon as Toledo; Virgilia Griffith as Dussie Mae; Diego Matamoros as Sturdyvant; Lindsay Own Pierre as Cutler; Alex Poch-Goldin as Irvin; Marcel Stewart as Sylvester; Directed by Mumbi Tindyebwa Otu; Set and Lighting Design by Ken MacKenzie; Costume Design by Alexandra Lord; Sound Design and Music Direction by Mike Ross; Stage Managed by Darragh Parsons assisted by Sam Hale - Michael Young Theatre at Soulpepper Theatre Company, 2018. “In the sizzling Soulpepper Theatre production of Ma Rainey’s Black Bottom, the seminal African-American blues singer, played with fiery humour by Alana Bridgewater, makes a late entry in Act 1 by bursting through the doorway of a Chicago recording studio like a tornado in a shimmering green dress. Impeccably acted and directed with cool confidence by emerging talent Mumbi Tindyebwa Otu, Soulpepper’s production has a slow-burning energy. It eventually erupts: first joyously, when Ma and her band perform the title song, and then later, horribly, in shattering scenes of violence.” - Martin Marrow, The Globe and Mail, May 11 2018</image:caption>
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      <image:title>Ma Rainey's Black Bottom - Costume Designer</image:title>
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      <image:title>Ma Rainey's Black Bottom</image:title>
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      <image:title>Ma Rainey's Black Bottom</image:title>
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      <image:title>Ma Rainey's Black Bottom</image:title>
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      <image:title>Ma Rainey's Black Bottom</image:title>
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      <image:title>Ma Rainey's Black Bottom</image:title>
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      <image:title>Ma Rainey's Black Bottom</image:title>
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  <url>
    <loc>https://www.alexandralord.com/rose</loc>
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    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
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      <image:title>Rose - Rose: A New Musical Trailer Soulpepper Theatre</image:title>
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      <image:title>Rose - Rose: A New Musical Trailer Soulpepper Theatre</image:title>
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      <image:title>Rose</image:title>
      <image:caption>In the idyllic mountain town of Somewhere, everyone knows exactly who they are and what their place is. Except for Rose. Rose is different, and she knows it. Rose has big questions about the world around her, and embarks on the adventure of a lifetime to find the answers for herself. From Sarah Wilson and Mike Ross comes an inspiring and joyful musical about acceptance, love, and finding your own path, even when that path isn’t what you thought it would be. Starring Troy Adams as Ensemble, Michelle Bouey on Cello/Ensemble, Alana Bridgewater as Wild Woman/Ensemble, Frank Cox-O’Connell as Frank, Oliver Dennis as Billie the Lion/Ensemble, Raquel Duffy as Ensemble, Jonathan Ellul as Love/Ensemble, Peter Fernandes as Willie/Ensemble, Hailey Gillis as Rose, Raha Javanfar on Violin/Ensemble, John Millard on Banjo/Ensemble, Scott Hunter on Bass, Sabryn Rock as Miss Crisp/Ensemble, James Smith on Keys and Adam Warner as Drums; Directed by Gregory Prest, assisted by Jenny Weisz; Set, Lighting and Projection Design by Lorenzo Savoini in association with Montgomery Martin; Sound Designer by Kaitlyn MacKinnon in association with Colton Stang; Costume Design by Alexandra Lord, Choreography by Monica Dotter; Stage Managed by Robert Harding assisted by Erika Morey with apprentice Cole Vincent - Baillie Theatre at Soulpepper Theatre Company, 2019 “Choreographer Monica Dottor and costume designer Alexandra Lord do a good job of filling the stage with motion and colour. Lord’s designs are very fun - from the 70s leotards worn by the couple who run the town’s local gym to the surprisingly sexy outfits worn by the lions.” - J. Kelly Nestruck, The Globe and Mail, Jan 25 2019 “Alexandra Lord’s costumes were spectacular, playful and evocative.” - Megan Mooney, Mooney on Theatre, Jan 25, 2019 “Lorenzo Savoini’s set, lighting and projection design beautifully reflect the pale pink and blue palette that Stein demanded be used for the published book (blue ink on pink pages), complete with a backing band with matching pink instruments and tuxedos (James Smith, Adam Warner and Scott Hunter). The whimsical atmosphere Savoini creates, along with Alexandra Lord’s bright monochromatic costumes, suits the absurdity of Stein’s story itself.” - Carly Maga, The Toronto Star, Jan 24, 2019</image:caption>
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      <image:title>Rose</image:title>
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      <image:title>Rose</image:title>
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      <image:title>Rose</image:title>
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      <image:title>Rose</image:title>
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      <image:title>Rose</image:title>
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      <image:title>Rose - Costume Designer</image:title>
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  <url>
    <loc>https://www.alexandralord.com/directors-guild-of-canada</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-08</lastmod>
    <image:image>
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      <image:title>Director's Guild of Canada Awards Ceremony 2018 - Table Settings and Lobby Installation Designer</image:title>
      <image:caption>The Awards were presented at the annual event on Saturday, October 20, 2018 at the Fairmont Royal York in Toronto. Headlined by Paul Sun-Hyung Lee (Kim's Convenience) and directed by Charles Officer (Unarmed Verses, 21 Thunder), the evening demonstrated the excellent film &amp; television productions that DGC members have brought to life. Set Design by Triga Creative’s Michelle Tracey, build by Production Canada; Lighting Design by Triga Creative’s Shannon Lea Doyle, tech by FMAV; Table Settings and Lobby Installation Design by Triga Creative’s Alexandra Lord, flowers by Patchouli Design.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/588e48a86b8f5b15287a966d/1550534259461-9AK27JDV8MXIBEWN6GGM/30598529737_ee7607541d_k.jpg</image:loc>
      <image:title>Director's Guild of Canada Awards Ceremony 2018 - Table Settings and Lobby Installation Designer</image:title>
      <image:caption>The Awards were presented at the annual event on Saturday, October 20, 2018 at the Fairmont Royal York in Toronto. Headlined by Paul Sun-Hyung Lee (Kim's Convenience) and directed by Charles Officer (Unarmed Verses, 21 Thunder), the evening demonstrated the excellent film &amp; television productions that DGC members have brought to life. Set Design by Triga Creative’s Michelle Tracey, build by Production Canada; Lighting Design by Triga Creative’s Shannon Lea Doyle, tech by FMAV; Table Settings and Lobby Installation Design by Triga Creative’s Alexandra Lord, flowers by Patchouli Design.</image:caption>
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    <image:image>
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      <image:title>Director's Guild of Canada Awards Ceremony 2018</image:title>
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    <image:image>
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      <image:title>Director's Guild of Canada Awards Ceremony 2018</image:title>
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    <image:image>
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      <image:title>Director's Guild of Canada Awards Ceremony 2018</image:title>
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      <image:title>Director's Guild of Canada Awards Ceremony 2018</image:title>
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      <image:title>Director's Guild of Canada Awards Ceremony 2018</image:title>
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      <image:title>Director's Guild of Canada Awards Ceremony 2018</image:title>
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  <url>
    <loc>https://www.alexandralord.com/world-after-dark</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
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      <image:title>World After Dark - Costume Designer</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/588e48a86b8f5b15287a966d/1752007939358-XMLDV51SI4DYJN5QCL67/image-asset.jpeg</image:loc>
      <image:title>World After Dark - Costume Designer</image:title>
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      <image:title>World After Dark</image:title>
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      <image:title>World After Dark</image:title>
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      <image:title>World After Dark</image:title>
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      <image:title>World After Dark</image:title>
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      <image:title>World After Dark</image:title>
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      <image:title>World After Dark</image:title>
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      <image:title>World After Dark</image:title>
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      <image:title>World After Dark</image:title>
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      <image:title>World After Dark</image:title>
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  <url>
    <loc>https://www.alexandralord.com/cabaret</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/588e48a86b8f5b15287a966d/1752004590079-EHD9IDCSQJ5LLCQ1PAU5/image-asset.png</image:loc>
      <image:title>Cabaret - Set, Props and Costume Designer</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/588e48a86b8f5b15287a966d/1752004590079-EHD9IDCSQJ5LLCQ1PAU5/image-asset.png</image:loc>
      <image:title>Cabaret - Set, Props and Costume Designer</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/588e48a86b8f5b15287a966d/1580335143248-YTTAT5FLX44L1TI9UU5R/Cabaret%2540Grand-photobyDahliaKatz-5393.jpg</image:loc>
      <image:title>Cabaret - Set and Costume Designer</image:title>
      <image:caption>“Willkommen, bienvenue, welcome.” Follow Sally Bowles downstairs as she navigates the nightclub underworld of Berlin on the edge of fascism. Be drawn into the excesses and decadence of a time where everything was possible – until it wasn’t. Considered one of the greatest musicals ever – presented in a gritty, stripped-down, intimate setting that will extend from the McManus lobby and bar to the stage. Come to the Kit Kat Club, if you dare. Featuring Isaac Bell as Bobby; Tess Benger as Sally Bowles; James Daly as Cliff; Phoebe Hu as Max; Lawrence Libor as Ernst; W. Joseph Matheson as Herr Schultz; Charlotte Moore as Fraulein Schneider; Olivia Sinclair-Brisbane as Emcee; Margaret Thompson as Fraulein Kost; Directed by Dennis Garnhum; Musical Direction by Wayne Gwillim; Choreography by Cameron Carver; Set and Costume Design by Alexandra Lord; Sound Design by Paul Fujimoto-Pihl; Lighting Design by Daniel Bennett; Stage Managed by Katerina Sokyrko, apprenticed by Anna Spencer - McMannus Stage at the Grand Theatre, 2019 “… a wildly entertaining ride from start to finish, despite its darkly disturbing themes and similarities between its setting in Germany of the early 1930s as the Nazis rise to power and what’s going on in today’s world. Artistic director Dennis Garnhum’s handling of this hit musical is a brilliant artistic achievement at every level, one that breathes new life into a show that’s been staged and toured by professional and amateur companies around the world for more than five decades. More importantly, this is a production that never loses the focus on telling the story and its cautionary message. … Garnhum has transformed the McManus Stage into the seedy Kit Kat Klub cabaret. Long, narrow stages double as tables along walls and thrusting into the audience. It comes complete with a working bar for the 110 patrons the show can seat. In place of the splashy, intricate song and dance numbers directors so often prefer, which can soften Cabaret’s ominous tone, Garnhum embraces the darkness, giving us a Cabaret rarely seen. It’s raw, gritty, provocative and riotously fun as the actors interact with the audience.” - Joe Belanger, London Free Press, Apr 12, 2019.</image:caption>
    </image:image>
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      <image:title>Cabaret</image:title>
      <image:caption>“… A wildly entertaining ride from start to finish, despite its darkly disturbing themes and similarities between its setting in Germany of the early 1930s as the Nazis rise to power and what’s going on in today’s world. Artistic director Dennis Garnhum’s handling of this hit musical is a brilliant artistic achievement at every level, one that breathes new life into a show that’s been staged and toured by professional and amateur companies around the world for more than five decades. More importantly, this is a production that never loses the focus on telling the story and its cautionary message. To make it happen, Garnhum has transformed the McManus Stage into the seedy Kit Kat Klub cabaret. Long, narrow stages double as tables along walls and thrusting into the audience. It comes complete with a working bar for the 110 patrons the show can seat …” - Joe Belanger, The London Free Press. Apr 12 2019. Featuring Issac Bell as Bobby; Tess Benger as Sally Bowles; Olivia Sinclair-Brisbane as Emcee; James Daly as Cliff; Phoebe Hu as Max; Lawrence Libor as Ernst; Joseph Matheson as Herr Scultz; Charlotte Moore as Fraulein Schneider; Margaret Thompson as Fraulein Kost; Directed by Dennis Garnhum; Music Direction by Wayne Gwillim; Choreography by Cameron Carver; Set and Costume by Alexandra Lord; Lights by Daniel Bennett; Sound by Paul Fujimoto-Phil; Stage Managed by Katerina Sokyrko; Apprentice Stage Managed by Anna Spencer - Grand Theatre, 2019</image:caption>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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      <image:title>Cabaret</image:title>
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  <url>
    <loc>https://www.alexandralord.com/beauty-and-the-beast</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
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      <image:title>Beauty and the Beast - Costume Designer</image:title>
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      <image:title>Beauty and the Beast - Costume Designer</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/588e48a86b8f5b15287a966d/1580330142056-GMA26JMIDZBEM1AQOS7Z/Beast.jpg</image:loc>
      <image:title>Beauty and the Beast</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/588e48a86b8f5b15287a966d/1580336035808-9IGEPY28FE91BN1I9PEG/Screen+Shot+2020-01-29+at+5.12.52+PM.png</image:loc>
      <image:title>Beauty and the Beast - Costume Designer</image:title>
      <image:caption>Clocks and candle sticks come to life in this delightful family musical based on the award-winning animated film. This classic story follows Belle, a bright and adventurous young woman who offers to take her father’s place as prisoner in an enchanted castle inhabited by Beast, a former dashing young prince cursed by an enchantress. “Be Our Guest” for this eye-popping spectacle featuring unforgettable characters and hit songs like “Gaston,” and “Beauty and The Beast.” Featuring Kaelan Baker as Chip, Ensemble; Ryan Brown as Lumière, Ensemble; Jacqueline Burtney as Belle; Sarah Carlé as Madame de la Grand Bouche, Ensemble, Vocal Captain; Josh Doig as LeFou, Ensemble, Dance Captain; Allison Edwards-Crewe as Babette, Silly Girl #1, Ensemble; Kelsey Howatt Silly Girl #2, Ensemble (Understudy: Belle); Scott Hurst as Maurice, Ensemble; Aisha Jarvis as Enchantress, Silly Girl #3, Ensemble; Alex Kelly as Gaston, Ensemble; David Michael Moote as Beast; David Talbot as Cogsworth, Ensemble; Braeden Woods as M. D’Arque, Ensemble; Marianne Woods as Mrs. Potts, Ensemble; Directed and Choreographed by Stephanie Graham; Musical Direction by Chris Barillaro; Set Design by Joe Pagnan; Costume Design by Alexandra Lord; Lighting Design by Renée Brode; Sound Design by Emily Porter; Fight Direction by Ryland Alexander; Assistant Directed by Sarah O’Brecht; Stage Managed by Kenilee Kehler; Assistant Stage Managed by Alana Freistadt and Erin Valentine - Globe Theatre Regina, 2019 “Of course, The story of Beauty and the Beast is a fairy tale infused with spells and romance. But audiences will again also be spellbound by the supernatural way the Globe can take a tiny piece of floor space and turn it into another world. Whether it’s a “provincial town,” a dark forest or an enchanted castle, the alternate reality seems authentic. In this production, the story is particularly portrayed through the imaginative and high quality costuming. One does not want to give away too much of how this is accomplished, but the way costume designer Alexandra Lord turns a live woman into a walking teapot is inspired. She also preserves the traditional feel of Belle’s iconic yellow gown while giving it a fresh twist.” - Heather Persson, Regina Leader-Post, May 25, 2019.</image:caption>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
      <image:caption>Clocks and candle sticks come to life in this delightful family musical based on the award-winning animated film. This classic story follows Belle, a bright and adventurous young woman who offers to take her father’s place as prisoner in an enchanted castle inhabited by Beast, a former dashing young prince cursed by an enchantress. “Be Our Guest” for this eye-popping spectacle featuring unforgettable characters and hit songs like “Gaston,” and “Beauty and The Beast.” Featuring Kaelan Baker as Chip, Ensemble; Ryan Brown as Lumière, Ensemble; Jacqueline Burtney as Belle; Sarah Carlé as Madame de la Grand Bouche, Ensemble, Vocal Captain; Josh Doig as LeFou, Ensemble, Dance Captain; Allison Edwards-Crewe as Babette, Silly Girl #1, Ensemble; Kelsey Howatt Silly Girl #2, Ensemble, Belle Understudy; Scott Hurst as Maurice, Ensemble; Aisha Jarvis as Enchantress, Silly Girl #3, Ensemble; Alex Kelly as Gaston, Ensemble; David Michael Moote as Beast; David Talbot as Cogsworth, Ensemble; Braeden Woods as M. D’Arque, Ensemble; Marianne Woods as Mrs. Potts, Ensemble; Directed and Choreographed by Stephanie Graham; Musical Direction by Chris Barillaro; Set Design by Joe Pagnan; Costume Design by Alexandra Lord; Lighting Design by Renée Brode; Sound Design by Emily Porter; Fight Direction by Ryland Alexander; Assistant Directed by Sarah O’Brecht; Stage Managed by Kenilee Kehler; Assistant Stage Managed by Alana Freistadt and Erin Valentine - Globe Theatre Regina, 2019 “Of course, The story of Beauty and the Beast is a fairy tale infused with spells and romance. But audiences will again also be spellbound by the supernatural way the Globe can take a tiny piece of floor space and turn it into another world. Whether it’s a “provincial town,” a dark forest or an enchanted castle, the alternate reality seems authentic. In this production, the story is particularly portrayed through the imaginative and high quality costuming. One does not want to give away too much of how this is accomplished, but the way costume designer Alexandra Lord turns a live woman into a walking teapot is inspired. She also preserves the traditional feel of Belle’s iconic yellow gown while giving it a fresh twist.” - Heather Persson, Regina Leader-Post, May 25, 2019.</image:caption>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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      <image:title>Beauty and the Beast</image:title>
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  <url>
    <loc>https://www.alexandralord.com/innoweave</loc>
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    <lastmod>2025-07-09</lastmod>
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      <image:title>Innoweave - Costume Stylist</image:title>
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      <image:title>Innoweave - Costume Stylist</image:title>
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      <image:title>Innoweave</image:title>
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      <image:title>Innoweave</image:title>
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      <image:title>Innoweave</image:title>
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      <image:title>Innoweave</image:title>
      <image:caption>By using social innovation tools, Innoweave has the potential to generate greater impact, more quickly and at less cost. Innoweave focusses on spreading practical tools for social innovation across the community sector to build organizations’ capacity to innovate and improve outcomes. In this public service announcement choreographed human 'agents of change' represent the service that Innoweave provides for its community sector partners, in this case, an organization that helps people with intellectual disabilities get jobs. Featuring Nicholas Herd; Aisha Bentham; Amelia Ehrhardt; Katherine Wilson; Rebecca Applebaum; Lilia Leon; Senyo Akakpo; Concept by Scott Baker and Sean Wainsteim; Directed by Sean Wainsteim; Production Design by Joshua Turpin; Costume Design by Alexandra Lord; Produced by Adjacent Possibilities - Toronto, 2020.</image:caption>
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      <image:title>Innoweave</image:title>
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    <loc>https://www.alexandralord.com/scouts-canada</loc>
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    <lastmod>2025-07-09</lastmod>
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      <image:title>Scouts Canada - Props Stylist</image:title>
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      <image:title>Scouts Canada - Props Stylist</image:title>
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      <image:title>Scouts Canada</image:title>
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      <image:title>Scouts Canada</image:title>
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      <image:title>Scouts Canada</image:title>
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      <image:title>Scouts Canada</image:title>
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      <image:title>Scouts Canada</image:title>
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      <image:title>Scouts Canada</image:title>
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      <image:title>Scouts Canada</image:title>
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      <image:title>Scouts Canada</image:title>
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      <image:title>Scouts Canada</image:title>
      <image:caption>This social media campaign for Scouts Canada is centred around pandemic inspired badges designed by Illustrator Katie Benn, under the Art Direction of Victoria Sturge. Using still photography and stop motion video, Director of Photography Ryan Thompson creates contextual vignettes that speak to the theme of each one of a kind badge. Props Stylist Alexandra leans into the inspiration of the great outdoors with a campy nostalgic style that campers of all ages adore, inspiring us to get back to scouting. Creative Direction by Church+State; Creative Production by Airfoil Media - Toronto, 2020</image:caption>
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      <image:title>Scouts Canada</image:title>
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  <url>
    <loc>https://www.alexandralord.com/ride-the-cyclone</loc>
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    <priority>0.75</priority>
    <lastmod>2025-07-09</lastmod>
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      <image:title>Ride the Cyclone</image:title>
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      <image:title>Ride the Cyclone - Set, Props and Costume Designer</image:title>
      <image:caption>Set, Props and Costume Designer</image:caption>
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      <image:title>Ride the Cyclone</image:title>
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      <image:title>Ride the Cyclone</image:title>
      <image:caption>Fans of Rocky Horror and Little Shop of Horrors rejoice! In this hilarious and outlandish story, the lives of six teenagers from a Saskatchewan chamber choir are cut short in a freak accident aboard a roller coaster. When they awake, a fortune teller invites each to tell a story to win a prize like no other - the chance to return to life. Ride the Cyclone will ignite your heart and force you to think about all the beautiful things in life! A celebrated original Canadian Musical by Brooke Maxwell and Jacob Richmond that took the country by storm in 2010 before moving on to a successful run in Chicago and Off-Broadway! Featuring Tessa Balaz as Jane Doe; Trinity Thibeault as Ocean; April Perrin as Constance; Jake Deeth as Mischa; JP Parker as Noel; Jonathon Cullen as Ricky; Jude Alexander as Karnak; Directed by Alessandro Costantini; Musical Direction by Alexandra Kane; Choreography by April Perrin; Set, Props and Costume Design by Alexandra Lord; Associate Set, Props and Costume Design by Diandra Zafiris; Lighting Design by Frank Donato; Projections Design by Amy Wilson; Sound Design by Aaron Hanna - YES Theatre Sudbury, Sudbury Theatre Centre, 2022.</image:caption>
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  <url>
    <loc>https://www.alexandralord.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-17</lastmod>
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      <image:caption>Photo by Lauren Kolyn</image:caption>
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